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From Home Furnishing Business

Porro Presents 2026 Collection During Salone del Mobile Milan

July 27, 2026  by Karen Parrish in Business Strategy, Industry   

If the past remains a lasting source of inspiration and an essential element of the brand’s visual identity, the present is defined by continuous research and new creative collaborations with international partners. From the long-standing and fruitful dialogue with Piero Lissoni, Porro’s art director for the past 30 years, to the renewed collaboration with Japanese designer Nao Tamura and Dordoni Studio, and the debut of the renowned US-based studio Yabu Pushelberg, Porro explores new languages and typologies, shaping fresh narratives that once again transform the identity of its interiors without ever renouncing its own.

The 2026 novelties expand Porro’s collections like new notes in a collective composition – deeply rooted in the present yet aspiring to timelessness. On the one hand, the purity and allure of Porro’s furnishings increasingly push research toward the boundary between industrial object and sculpture, between design and gallery. On the other hand, the brand broadens its scope by looking at the contract world, a field in which the company has strengthened its own team in recent years, and to which it naturally speaks thanks to its production flexibility and bespoke manufacturing expertise.

From large-scale retail spaces, where Porro’s modular systems orchestrate interiors with elegance, to multi-apartment developments that choose Porro’s wardrobe as the main character of the bedroom area, the Italian brand moves confidently across the international contract stage, demonstrating how its essence is strengthened through exchange and dialogue between different worlds.

Leading the introductions are the Ryo Bookcase designed by Nao Tamura. Obtained by folding a single sheet of solid aluminum, Ryo takes shape as a sculptural object with a deconstructivist design language that goes beyond pure functionality. It becomes a surface where light shimmers and shadows interact, enhanced by an almost invisible protective finish that preserves the material’s raw texture and natural character.

Another debut is Arnaldo Armchair by Yabu Pushelburg, where the suspended seat is set between the armrests and the backrest in a harmonious interplay of solids and voids, creating a compact, comfortable, and enveloping silhouette. The Hita Lounge Chair––inspired by 1950s and 60s design––features continuous volume, elevated on an asymmetrical, swiveling, conical base in wood. The elegant Twin Low Table in bruno stained ash wood features a surface cut at 45 degrees and a top recessed in choices of travertine or mirror.

The Biscuit Armchair, defined by bruno-stained solid ash wood panels and geometric upholstered padding in leather or fabric, offers an elegant seating solution suited for residential, hospitality, and workplace environments. Next, the Brezza Chair is offered in black-stained ash, fully embodying Porro’s iconic aesthetic. The Share Coffee Table is a must-have for modern, Italian-inspired living. It celebrates the act of entertaining, with a removable solid wood base that doubles as a tray. Lastly is the Guitair Coffee Table featuring layered compositions in varying heights and sizes, with thick, rounded or teardrop-shaped tops in solid ash and glossy lacquer set on concrete bases.